Grin Body Oil

Green - DSIR0201-g, a photo by Bahman Farzad on Flickr.

Some products are inspired by unique materials, and others by unique people. The idea for Grin body oil came about when I had a lot of left over Boronia absolute from the large batch I've ordered from the distiller (or should I say extractor?). But it didn't manifest until a very special customer of mine, Melinda Huntley, asked for it. And so it is now for everybody to enjoy!

Grin body oil has all the goodness that my Song of Songs body oil has (squalane, avocado oil, tea seed oil, fractionated coconut oil, jojoba oil and vitamin E), but with Grin's elegant, cool, green floral scent. It has many precious absolutes: boronia, violet leaf, rose, jasmine form Egypt - which is why it is a bit more expensive than the rest - $35 for 15ml.

And one last note: depending on popularity, I'm considering bringing a larger size for the body oils, in a lovely glass bottle with a pump, 60ml. This will be of course more expensive than the 15ml, but will be much easier to get out of the bottle. It will be priced at about $85, for saving me the trouble of bottling and labeling 4 smaller bottles :-)

Would love to get feedback from you about this packaging, as any new packaging is a big investment (getting a big number of them is only part of the cost of new packaging - it also will require designing and printing new labels, photography for the website, etc.)

Grin Body Oil, a photo by Ayala Moriel on Flickr.

P.s. The picture is of my trial batch, which was at 2.4% - a little too high, so I reduced it to 2% which I think is just perfect... Also, the Indian jasmine I used in my trial batch was a little too indolic, so I replaced it with Egyptian jasmine, which is more sheer and less indolic.

It's sunny and warm in Vancouver (at long last!) and before I head down to Spanish Banks for my first seriously long swim of the year (hopefully!) and spend the rest of the day soaking up the late spring sun, I was determined to create a Grin scented body oil. The idea was long in the making, ever since I obtained a more substantial amount of the rare boronia absolute, which *almost* makes this luxury logical. Boronia is uber expensive, and including it in a body product is bordering on madness.

The formulation was pretty much done yesterday, but I didn't make it to the blending/experimenting stage last night. I've already decided on the base oil - incorporating silky and non greasy oils such as squalane, camellia, avocado and jojoba, which I did in Song of Songs. I was contemplating using argan oil in the base, but decided against it, thinking that for a spring scent that light, the base should be light as well. Argan is fast absorbing and beautiful on the skin, but it's very emollient and rich - and not quite what I thought suitable for this scent's texture.

The scent itself is a modification of Grin perfume, adopted for a skin formulation both concentration and ingredients wise. It's crisp and green, yet sweet, with jasmine, rose and boronia making up the most of the heart accord, and hints of woods, violet and galbanum round it off and add crispness as well as depth. All in all, it smells like a spring flower garden - lily of the valley, green leaves, violets and snowdrops. I have a patch of Grin body oil on my left arm, which makes my skin feel smooth to the touch and like a breath of spring to my nose. Can you see my smile?

Eau de Tinkerbelle

We Caught Her Darling!, originally uploaded by Sherri DuPree Bemis.

100 Jasmine Concrete
100 Muguet de Bois (Blanc)
50 Ivy
10 Citron
200 Snow Orchid (Silver)
30 Cloud Essence (Citrine-Vert)
1000 Liquid Air (Pink)
1000 Midnight Dew from Snow Orchid
Distill in a crystal ball for 24 hours, while shaking your bells vigorously.
No additional filtration is necessary

Eau de Tinkerbelle, a boronia soliflore I created in 2004, is back by customer request. I'll be blending one small batch for Princess Ellie, and than there will be 2 extra bottles for the boronia lovers among you to snatch and savour. The ingredients are really, really rare, which is why I will only be making a tiny amount of this.

Eau de Tinkerbelle is a green and playful attribute to the little envious fairy from Peter Pan. A single floral of the exotic and rare Tasmanian Boronia - a beautiful absolute reminiscent of freesias and violet, with a hay-like, sea-breeze undertone.

Top notes: Mimosa, Cassis
Heart notes: Boronia, Jasmine, Hyacinth
Base notes: Green Tea, Ambrette, Sandalwood

Mossy Whale

Mossy trees, originally uploaded by Ayala Moriel.

The moss sculpts its way on the tree trunks and branches along the Wild Pacific Trail. And I’ve heard it has something to do with how crisp and clean the air is there… The mosses and lichen love it and adorn the trees with their moss-green velvety ropes and silvery laces… And nearby, whales spit a mist of water from their lungs which towers abaove the water and they weave in and out of its depths along the rocky shores.

I wanted to play on these themes of moss and marine creatures in the 4th mod. As it turns out, I went a little too far though… I was a little adventurous, and rather than adjusting the formula a bit by changing only an element or two, I added many different elements and nuances.

First, I wanted to see what happens if I add some more violety notes, so I added even omre cassie absolute, which has a wet-wood and leather quality to it and also boronia absolute, which I find to have a certain oceanic quality about it that is hard to explain, but if you smell it you will understand what I’m talking about. And added even more Haitian vetiver!

Remembering the rotting squids also made me want to add something animalic and marine to the mix – and that’s when the ambergris joined the game. My original concept of making this a simple and not crazy expensive perfume (except for the seaweed, which is essential) pretty much flew out of the window right that moment.

I should have probably stopper right than and there to see what transpires of my efforts. But I was unhappy of whatever result was going, and added a little more of this and that – which included more citrus (lime) and more woodsy notes (juniper, cypress). But where everything went out of control was when I decided to go with nothing else but cherry cedar, which is distilled locally, and I thought would be very appropriate for this British Columbian theme. What I added accounts for just about 2% of the formula was clearly too much. All I could notice now was cedar, cedar, cedar… Red, local, whatever…! It was too much.

I let it rest for just one week. I came back to it yesterday, and the thing has transformed into the craziest berry-cedar perfume I’ve ever smelled in my life. And than it turns interestingly salty with the seaweed and boronia and the moss. It’s not bad at all. But it’s not Orcas yet - unless you are imagining a killer whale that picks wild berries and carves canoes from cherry cedar.

Happy Mother's Day!

Bluebells, originally uploaded by Ayala Moriel.

Happy Mother's Day!
I hope all the mothers among you were treated well today and got the appreciation you deserve!

I always associate purples and blues, and violet, iris and lavender scents with my mother: If she were ever to be a perfume wearer, I would imagine her wearing l'Herue Bleue or Apres l'Ondee. The violets and heliotrope in both are exactly what I associate with motherhood: tenderness and mystery.

Today I wore Indigo, the perfume I created for my mother. At its heart are violets, supported by boronia and iris, the spiciness of carnation and the opulence of orange blossom. It's an odd perfume in my collection and not really accessible. The top notes are strange: caraway and anise. But they really complement the unusual boronia and violet perfectly. The base is incense and amber with suave cedarwood from the Himalayas.

What scents do you associate with motherhood, and which perfume did you wear today? Comment and enter to win a sample of Indigo perfume!

An Oud With A Grin

Shaking Snowdrop, originally uploaded by flickrolf.

I woke up this morning noticing something unusual from my window: full-strength sunshine and trees covered in green plumage. Of course, that did not mean a warm day; on the contrary: it was a wind storm that blew away the clouds and let in the sun. Nevertheless, this was a perfect day for wearing Grin!

Grin was a tribute to the crisp spring in the Northern hemisphere: bulb flowers springing from the cold earth, heady and fragrant in contrast to the brisk air, cool rocks covered in rain-soaked moss and the frost-covered earth that if anything, emits a harsh, dusty and marshy smell.

But there is also another element altogether: light. Luminous light as it shines through the word-shaped bulb-plants’ leaves as they cut through the chilly air; and backlit buds of tree leaves shimmering against blue sky.

The creation of Grin was greatly inspired by Diorissimo, the legendary perfume by Edmund Roudnitska, which I also wore on my wedding day. This perfume is, in my opinion, one of the most perfect perfumes in the world, pure beauty in a bottle. It’s also one of the very few commercial perfumes that is said to contain boronia. It is particularly breathtaking in the parfum extrait, where the boronia is actually noticeable, as well as the jasmine and rose, giving the lily of the valley depth that can’t be quite complete in the lighter eau de Toilette. It was not possible for me to create lily of the valley accord with naturals alone, but I wanted to capture the emotion that I get when I smell this lily of the valley perfume. It always brings a smile to my face. And that’s what I tried to do with Grin.

Although not a soliflore by any means, the star of the show here is Boronia. This rare flower absolute from Tasmania brings a ray of light into the perfume. Crisp galbanum brings out its fresh-cut flower personality, but also an outdoorsy fresh-cut-grass smell, that makes me want to fill my lungs with air. Green pepper accentuate the peppery freesia-like character of boronia. Violet leaf brings out more of the ionone character of boronia. Jasmine and rose make it shine even brighter, bringing out an opulent richness. And than, what we need to talk about next, is the base.

“I've often seen a cat without a grin,' thought Alice; `but a grin without a cat! It's the most curious thing I ever saw in my life!'” (Lewis Carol, “Alice in Wonderland)

On its own, agarwood is rarely perceived as a cheerful note that would make one jump up with joy; but in this perfume from 2006, this is the role it takes. Wet stones, mossy forest floor and earth awakening to the sun was what the base needed to evoke in Grin. And agarwood, surprisingly, makes this happen, juggling the dense oakmoss on one hand, and the nearly effervescent and green Haitian vetiver, which extends galbanum and violet crispness till the end. It stands in the middle with its musty woody personality, smelling clean and balanced and mysterious. It’s an extension of the green leaves and the forest and the woods from where the fragrant bulb flowers emerge with their defiant optimism, provoking the sleepy world and welcoming the sun.

Boronia & Grin Stock Updates

Boronia, originally uploaded by Helen Boronia McHugh.

Boronia absolute is finally back in stock after a long absence of nearly 6 months. Now I'm able to finally make a batch of samples for Grin (which up till recently was only in stock in full bottles of roll-on oil or extrait). If you were curious to try it but wasn't able to now is a good time to try it, when spring is approaching!

Grin is a Green Floral spring fragrance that will bring a smile to your face and flowers to your garden . It was originally designed in spring 2004 and 2005 as two different limited editions; than introduced into the permanent collection with this formulation in 2006.

Top notes: Galbanum, Green Peppercorn
Heart notes: Boronia, Rose, Jasmine, Violet Leaf
Base notes: Agarwood, Vetiver, Oakmoss

Boronia

Boronia, originally uploaded by Helen Boronia McHugh.

Boronia, originally uploaded by Helen Boronia McHugh.

Boronia is one of the rarest and most magical natural raw materials. It grows on the shores of Tasmania, in western Australia, and has a scent that is unusually complex and alluring: it is floral, sweet and peppery, reminiscent of yellow freesias; green and suave like violets (due to the high precentage of beta ionones, some alpha ionones and other carotenoids - which is not surprising given its orange-brown colour); and also reminiscent of raspberry, green tea and the sea shore and has a hint of hay and wood at the dryout phase.

Boronia notes are rarely found in mass-market perfumes because of its prohibitive cost; but also because it is susceptive to much adulteration, and the world production is extremely limited (Arctander mentiones under 1 metric tone per year but that was quite some time ago - I don't know if the production has gone up or down since than).

The only one perfume I could actually detect the boronia in is Diorissimo in parfum extrait (I bought a flacon some 8 years ago and it's pure heaven). Although Folavril lists it (along with mango) I can't say I've noticed it there.

Boronia serves an important role in the flavour industry more than in the fragrance, especially in berry flavours such as raspberry and strawberry and even peach - but most importantly cassis (black current). A little Boronia absolute goes a very long way in creating berry and fruit flavours, so it may be more popular in flavouring than in formulas for fine fragrance.

In my line I've used it in three perfumes - all very unusual as a result of the unique presence of this precious raw material:
Indigo, where it contributes to the mystique of cool vs. warm: violet, anise and orris against the warmth of amber, incense and spice.
l'Ecume des Jours, where it serves as the last catalyst to create a waterlily accord - the one that grew in Chloe's lungs and brought the doom on the entire cast of this surreal tale.
And Grin, where Boronia's eternal sunshine brings a stream of light into a forest clearing blooming with wild roses and smiling jasmines. I have to admit this one was largely inspired by Diorissiomo in the extrait.

Boronia is extremely rare and in fact the world supplies have reached bottom low this year already. So much so, that a supplier won't sell you more than 50gr until 2010, when the new harvest will be processed. The current price is $8,600 per kilo, the highest amount for any raw material I'm aware of other than agarwood essential oil. As a result, I had to increase the price of all of my perfumes containing Boronia - l'Ecume des Jours, Grin and Indigo.

Boutique Exclusives

Boronia, originally uploaded by Helen Boronia McHugh.

Recent increases in rare floral essences prices have forced me to do something I don't like doing, but have to: increase the price on selected perfumes from my collection. I don't like the snobbish attitude this may imply, but if I want to be able to continue buying the materials to make these perfumes, logic forces me to follow what the numbers request.

The perfumes subject to the increase are those containing precious essences such as boronia, broom (the latter has increased its price significantly this year, and is now about $500 per ounce) and jonquille. Also, the ones that I will probably not be able to get for a long time if at all - such as ambergris and East Indian sandalwood (I have enough in stock to make Gigi for a whilte).

The price for the following perfumes are exclusive to Ayala Moriel's boutique as they can only be produced on a small scale. Their price have been increased to $160 per 9ml flacon:
Gigi
Grin
Indigo
l'Écume des Jours
Razala
And of course, Sahleb and the upcoming (2009) perfume The Purple Dress will bear the same price, reflecting the high concentration of rare essences that goes into their disctinc scent (orris with 15% irone and ambrette seed in Sahleb and red & golden champaca in The Purple Dress).